An Existential Life

Imagine being back inside the bustling cafes on the Left Bank of Paris in the 1930s, cigarette smoke, strong coffee and the buzz of continental voices philosophising about human responsibility and freedom.

This kind of talk gave utterance to Existentialism. A twentieth century philosophy of everyday life concerned with the individual, and his or her place within the world. In novels, plays and philosophy, Existentialists try to work out the nature of our existence. As Roquentin says in Sartre’s novel ‘Nausea’, “To exist is simply to be there; what exists appears, lets itself be encountered, but you can never deduce it”.

But where did these ideas come from? What do they really mean? And how have they impacted on our lives?

With Dr A. C. Grayling, Reader in Philosophy at Birkbeck College, University of London; Christina Howells, Professor of French at the University of Oxford, fellow of Wadham College; Simon Critchley, Professor of Philosophy at the University of Essex and author of A Companion to Continental Philosophy.

Listen to the BBC Broadcast here.
(Thanks to Neil Wykes for pointing me to the BBC philosophy Archive)

Borgeby gard, Fladie, Sweden
August 12, 1904

We are solitary. We can delude ourselves about this and act as if it were not true. That is all. But how much better it is to recognize that we are alone; yes, even to begin from this realization. It will, of course, make us dizzy; for all points that our eyes used to rest on are taken away from us, there is no longer anything near us, and everything far away is infinitely far. A man taken out of his room and, almost without preparation or transition, placed on the heights of a great mountain range, would feel something like that: an unequalled insecurity, an abandonment to the nameless, would almost annihilate him. He would feel he was falling or think he was being catapulted out into space or exploded into a thousand pieces: what a colossal lie his brain would have to invent in order to catch up with and explain the situation of his senses. That is how all distances, all measures, change for the person who becomes solitary; many of these changes occur suddenly and then, as with the man on the mountaintop, unusual fantasies and strange feelings arise, which seem to grow out beyond all that is bearable. But it is necessary for us to experience that too. We must accept our reality as vastly as we possibly can; everything, even the unprecedented, must be possible within it. 

This is in the end the only kind of courage that is required of us: the courage to face the strangest, most unusual, most inexplicable experiences that can meet us. The fact that people have in this sense been cowardly has done infinite harm to life; the experiences that are called ”apparitions,” the whole so-called “spirit world,” death, all these Things that are so closely related to us, have through our daily defensiveness been so entirely pushed out of life that the senses with which we might have been able to grasp them have atrophied. To say nothing of God. But the fear of the inexplicable has not only impoverished the reality of the individual; it has also narrowed the relationship between one human being and another, which has as it were been lifted out of the riverbed of infinite possibilities and set down in a fallow place on the bank, where nothing happens. For it is not only indolence that causes human relationships to be repeated from case to case with such unspeakable monotony and boredom; it is timidity before any new, inconceivable experience, which we don’t think we can deal with. but only someone who is ready for everything, who doesn’t exclude any experience, even the most incomprehensible, will live the relationship with another person as something alive and will himself sound the depths of his own being. for if we imagine this being of the individual as a larger or smaller room, it is obvious that most people come to know only one corner of their room, one spot near the window, one narrow strip on which they keep walking back and forth. In this way they have a certain security. And yet how much more human is the dangerous insecurity that drives those prisoners in Poe’s stories to feel out the shapes of their horrible dungeons and not be strangers to the unspeakable terror of their cells. We, however, are not prisoners. No traps or snares have been set around us, and there is nothing that should frighten or upset us. We have been put into life as into the element we most accord with, and we have, moreover, through thousands of years of adaptation, come to resemble this life so greatly that when we hold still, through a fortunate mimicry we can hardly be differentiated from everything around us. We have no reason to harbor any mistrust against our world, for it is not against us. If it has terrors, they are our terrors; if it has abysses, these abysses belong to us; if there are dangers, we must try to love them. And if only we arrange our life in accordance with the principle which tells us that we must always trust inthe difficult, then what now appears to us as the most alien will become our most intimate and trusted experience. How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.

I’ve been receiving a lot of questions asking for more movie recommendations and several followers have send in their own suggestions as well so here is an updated list.

a lot of foreign language movies by Rohmer, Traffaut, Bergman, Fellini and Godard have an existential overtone but here are some that are readily available on netflix or elsewhere:

• Waking Life
• I Heart Huckabees
• Broken Flowers
• 13 Conversations about one thing
• Groundhog Day
• Requiem for a Dream
• American Beauty
• Citizen Kane
• Me You and Everyone We Know
• The Jacket
• Donnie Darko
• A Scanner Darkly
• A Clockwork Orange
• Adaptation
• Eraserhead
• Moon
• El orfanato
• Synedoche New York
• Lost Highway
• The Tenant by Polanski
• The Bothersome Man
• Un Secret by Claude Miller
• Wild at Heart by David Lynch
• The Big Lebowski
• Le Feu Follet
• The Graduate
• The Machinist
• IKIRU by Akira Kurosawa.
• The Cruise by Bennett Miller 
  
• Eternal Sunshine of the Spotless Mind
• Being John Malkovich
  

if you’d like to add more message me here.

Thanks,
Shifa.